Forgive me while I do a little Broadway geek-out for a moment.
Evita was my first exposure to performing musical theatre. My father had a part in the Generals Chorus in a community theatre production when I was eleven, and had managed to score my brother and I auditions for the childrens chorus. We were excited to learn we had received parts, not just because it was just a big cast and we met so many new friends, mainly because we'd be sharing the stage with our father. Oh boy, were we little hams on stage.
I was so intrigued by the story of this woman at such a young age and remembered doing research on my own about Eva Perón, wife of Argentinian president Juan Perón and champion of the labour movement, women's rights and the salvation of the poor. Her story is told in this lyrical opera written by Andrew Lloyd Webber, also known for his works on Jesus Christ Superstar, Phantom of the Opera, Joseph and the Amazing Technicolour Dreamcoat and Cats. (I don't care what you say, he's one of my favourites. Mr. Webber is an acquired taste for some, but I doubt there's anyone who doesn't know at least a portion of the duet between Christine Daae and the Phantom on the river. I didn't care for Cats, though.)
My awesome Broadway-bestie Jenna and I had a chance to see Evita play in the Princess of Wales in Toronto, but after being part of so many community theatre productions and knowing this music nearly inside and out, we felt a little weird being so judgmental about it.
I think the only way to redeem myself is another trip to New York City to see this one. Evita returns to Broadway in an incredible all-star cast featuring Ricky Martin as Che, Michael Cerveris as Juan Perón and Elena Roger in her Broadway debut as Eva Perón, a small-town girl who became one of Argentina's most celebrated icons for the people.
